The Collecting Life
In 1989 I saw a show in Paris: Magiciens de la terre. It had a profound effect on me. Before this show, I had no idea that so much amazing contemporary art was being made in Africa. After the show, when I met Andre Magnin (one of the curators of the show), I decided to collect mainly contemporary African art.
About
To me at that time
African art was the stuff that one sees at the Metropolitan in New York – dark wood masks, dogs full of nails, gold jewellery, carved drums – or it was the junk one can buy at Mombasa airport. But in Paris I saw paintings that could have been done by a hip artist living in a loft in Brooklyn, or sculptures made out of plastic that could be seen in an elegant gallery in Berlin. I was stunned, and thrilled. The colours, the imagination, the subjects – I was definitely impressed. Of course I knew that interesting creative work was happening all over the world, but there seemed to be no way to find it, to see it. When I met Andre Magnin I realized that together we could put together a serious collection of contemporary African art. In my life, I love to make new discoveries: new music, new food, new technology, new art… the exhibition was a complete revelation to me. I wanted to explore my new discovery.
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African Art Collection
My collection started as a small dream but soon became a huge, exciting reality. I realised immediately that it could help the Western world understand that good art can come from the dusty streets of Dakar and the poor, remote villages of Ethiopia, as well as from air-conditioned studios in SoHo, New York. From a young age I was a collector. Toy cars, stamps, rocks, trains …